The uncivil Mr Jones

With Sydney consumed by debates about whether the Opera House is a vehicle for advertising, there is a far more important issue at play, argues Michelle Grattan in this crossposting from The Conversation.

The row over shock jock Alan Jones and what will be displayed on the Sydney Opera House sails about The Everest horse race involves two sets of issues.

One is around whether it is appropriate to use this Sydney icon as an advertising hoarding.

The other is the appalling, but typical, behaviour of Jones and the weak, but probably not surprising, capitulation of NSW Premier Gladys Berejiklian to the pressure of the racing industry, which had its arm strengthened by this bullying presenter from 2GB.

Jones: Close personal connection to the racing industry 

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