Lessons from Freddie Mercury: Why length isn’t always a turn-off for social video

Denis Crushell, MD international of social video intelligence company Tubular Labs, explains why creators need to be brave and steadfast in their convictions – just like Freddie.

Creativity is undoubtedly subjective. Creators and their process are open to perception and critics who will take a swipe no matter the scale of your success.

Take Bohemian Rhapsody. Not the recent Remi Malik reimagining of Freddie Mercury and Queen, but the song from which the movie takes its name. Today it’s considered one of the greatest of all time. Yet music execs and fellow artists thought Queen and Mercury crazy for wanting it as the first single released from their A Night at the Opera album. Elton John, a friend, said: “You must be mad”.

Its structure was unusual. So many sections. So many key changes. But it was the length, that was considered the biggest barrier. Pop songs on the radio rarely ventured over four minutes in 1975, let alone approached six. There were exceptions, Hey Jude’s full length was over seven and Led Zeppelin’s 1971 Stairway to Heaven clocked in over eight, although it was never released as a single.

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