Roll out the red carpet

With film premieres costing up to $350,000, who benefits from throwing these lavish events? In a feature that first appeared in Encore, Lee Zachariah investigates.

In the film world, the instant signifier of opulence and glamour is the bit of material that the stars tread on to get from their limo to the theatre. In Australia, red carpet premieres remain the preferred way of turning a film into a big event, be it an Australian production filled with starry-eyed newcomers, or a big Hollywood blockbuster featuring a bewildered, jetlagged star midway through their layover. It looks like a lot of fun for the people who go, but the question must be asked: what purpose do they serve?

“The core purpose of hosting a premiere event is generating publicity for the film,” says Universal’s Suzanne Stretton-Brown. This year, Universal has brought Steve Carell to Australia for the premiere of Despicable Me 2 and will next week host Simon Pegg, Nick Frost and Edgar Wright for the Australian premiere of The World’s End. “It’s about the celebration of a film release, particularly when the star has travelled from the other side of the globe to visit Australia. It also presents an important opportunity to showcase the film to tastemakers and business partners in the best possible setting,” says Stretton-Brown.

Although a film such as The World’s End is relatively low-key by Hollywood standards (not least of all because it was made in the UK), its internationally-recognised stars make it significantly bigger than most of its Australian counterparts like producer Rosemary Blight who saw great success with the 2012 film The Sapphires.

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