The Post is a reminder of Australia’s dangerously precarious press freedom

NewsMediaWorks CEO Peter Miller argues that the fine display of journalism depicted in the The Post might be in danger if the Turnbull Government’s proposed espionage laws go ahead.

Last weekend I took myself off to The Orpheum at Cremorne, surely the best cinema in Sydney, to watch The Post.

I enjoy a political thriller more than most and still enjoy re-runs of All the President’s Men, released in 1976. The Post, set in the early 1970s, is another political thriller of rare quality and, I reckon, importance.

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