Nine ways content makers are failing

In this guest posting, Mark Pollard picks out his pet peeves in the jargon-tastic world of branded entertainment

I recently caught myself asking someone to explain the term “content idea”. I didn’t ask because I believe an idea is an idea is an idea (for how to explain an idea, read here). I didn’t ask because jargon deployed to control and patronise people frustrates me. I asked because “content idea”, to this global media agency, meant “not a TV script” and I was stunned that this was the level of conversation in 2012. Everything is content.

My time in advertising agencies never led to a fetish for television commercials. What happened around them – and whether we could subvert the role of the television commercial from an end-point to a something-else-point that sat as a small piece of a bigger story unveiled elsewhere – interested me most.

I’ve watched the groundhog-day “Content is king (no, it’s not)” debates – they happen on cue every two years. And I’ve created a bunch of content – as a magazine publisher, a writer, a collaborative book compiler, and a person in this industry. To me, content is everything. So I relished the chance to lose myself in the Australasian Branded Entertainment Award submissions last weekend.

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